Film
Mapping for Transporter 2
time in
minutes when credits are shown 0:00-2:00
20th
Century Fox logo (signature 20 second animation)
TWENTIETH
CENTURY FOX presents
a
EUROPACORP production in
coproduction with TF1 FILMS PRODUCTION
in
association with CURRENT ENTERTAINMENT
with the
participation of CANAL+ and TPS
STAR
JASON
STATHAM
ALESSANDRO
GASSMAN
AMBER
VALLETTA
and KATE
NAUTA
with
MATTHEW MODINE
and JASON
FLEMING
TRANSPORTER
2 (film title)
time in minutes
when credits are shown 3:30-6:30
KEITH DAVID
introducing
HUNTER CLARY
SHANNON
BRIGGS
and
FRANCOIS BERLEAND
casting by
ED ARENAS MELISSA HIRSCHENSON
costume
designer BOBBIE READ
original
score by ALEXANDRE AZARIA
martial
arts choreographer CORY YUEN
car stunt
choreographer MICHEL JULIENNE
editors
CHRISTINE LUCAS-NAVARRO VINCENT
TABAILLON
production
designer JOHN MARK HARRINGTON
director of
photography MITCHELL AMUNDSEN
executive
producer TERRY MILLER
produced by
LUC BESSON and STEVEN CHASMAN
based on
characters created by LUC BESSON & ROBERT MARK KAMEN
written by
LUC BESSON & ROBERT MARK KAMEN
directed by
LOUIS LETERRIER
Film Opening Analysis for Transporter 2
The first thing that is made apparent within this film’s
opening is that it begins in a very similar manner to the first instalment. We
initially see an extreme long shot of a black german saloon car sitting still
within a car park at which point the camera will pan across to the left and
zoom towards the vehicle, before cutting to a close up of the side profile of
the vehicle and continuing to pan across until an extreme long shot of the Audi
logo on the front grille is visible.
The first Transporter instalment (featuring the same
protagonist) had a film opening that was almost identical to this one apart
from driving a BMW rather than an Audi. I suspect the vehicle choice was a
matter of advertising for the manufacturer in question as they get to feature
their high end luxury vehicles in a high-grossing box office film.
Another thing worth noting is that the original film’s
opening eventually lead to the preparation of a bank robbery and a very
memorable car chase. The fact that the second film begins the same way would
perhaps lead us to suggest many more scenes as memorable and action-packed as
the first.
As for the protagonist himself (Jason Statham playing as
Frank Martin, unnamed at the film opening), he appears to carry himself with
discretion, looks totally in control and an aura of formality given off by his
black suit and choice of vehicle. An example of the character’s relative
calmness and control is that within two minutes of the film’s starting, he is
already threatened by an amateur car-jacking. A gun is pointed at him initially
and he is threatened with melee weapons when he refuses to unlock the car’s coded
ignition for the carjackers. He never looks frightened, anxious or even
slightly concerned about losing a then brand-new car. He takes the whole
situation as if it is a minor irritation before disarming the thugs of their
weapons without permanently harming them; showing us that he has a touch of
empathy as he could have easily killed them for the threats and inconvenience,
and more importantly, the brief fighting scene reminds us in abundance that
this is an action film through and through, and the genre is clearly confirmed
within the space of three and a half minutes.
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